Mark Campbell is one of the most

in-demand librettists working in opera today, profiled in Opera News as one of twenty-five people " become major forces in opera in the coming decade."

Mark’s most known work is the libretto for the opera Silent Night, which garnered the 2012 Pulitzer in Music for composer Kevin Puts. The opera has received many productions since its premiere at Minnesota Opera and was broadcast on PBS’ Great Performances last Christmas. Other successful operas include: Later the Same Evening, Volpone, As One, Bastianello/Lucrezia, The Inspector, and Rappahannock County. He has collaborated with many notable contemporay composers, including Mark Adamo, Mason Bates, William Bolcom, Conrad Cummings, Ricky Ian Gordon, Jake Heggie, Martin Hennessy, Laura Kaminsky, Paul Moravec, John Musto, Kevin Puts, Richard Peaslee and Michael Torke.

Mark has received many other prestigious prizes for his work, including a Grammy® nomination for best Classical Recording, the first Kleban Foundation Award for Lyricist, two RIchard Rodgers Awards, three Drama Desk nominations, a Jonathan Larson Performing Arts Foundation Award, a New York Foundation for the Arts Playwriting Fellowship and the Dominic J. Pelliciotti Award.

As a lyricist, Mark penned all of the lyrics for Songs from an Unmade Bed, a theatrical song cycle with music by 18 composers including Jake Heggie and Duncan Sheik. The show has since been produced in many venues around the world. Other musicals for which he has written lyrics include: And the Curtain Rises, The Audience, Chang & Eng, and Splendora.

Recordings of Mark’s works include the Grammy®-nominated Volpone, (Wolf Trap Recordings), Later the Same Evening (Albany Records), Bastianello/Lucrezia (Bridge Classical) and Songs from an Unmade Bed (Sh-k-Boom Records). Songs from an Unmade Bed and Silent Night are also published by Bill Holab Music.

Upcoming operas include: The Other Room (2014, Inner Voices, Marisa Michelson); The Manchurian Candidate (2015, Minnesota Opera, Kevin Puts); Burke + Hare (2016, Music-Theatre Group, Julian Grant); The Shining (Minnsota Opera); Elizabeth Cree (2017, Opera Philadelphia, Kevin Puts); Dinner at Eight (2017, Minnesota Opera, William Bolcom).

Photo by

Laura Marie Duncan